About Chris Wohlwend

Born and reared in Knoxville, Tennessee. Veteran of 30+ years in newspapers and magazines as an editor, reporter and writer. Lived and worked in Miami, Charlotte, Louisville, Dallas, Kansas City, Atlanta. Teach journalism part-time at the University of Tennessee-Knoxville. Freelance to several publications, including The New York Times. Working on a memoir focusing on my encounters in Appalachia. Excerpts will be posted on this blog. Have traveled extensively, and photographs from those travels will also be posted here.

The writers, at bat

  The scribes, stimulated by the sunshine of Florida or Arizona, have filed their first spring-training stories, thrown out their first cliches of the season.

  And as sure as the hopeful reports will continue from Fort Myers or Scottsdale, as sure as the Houston Astros — individually and en masse — will do something immoral, baseball’s great myth, its greatest cliche, will again be perpetrated.

  Even as the Oakland A’s will be preparing for their move to Las Vegas, where they will be closer to the action, the literary lions will send back their musings about the boys of summer, about baseball as metaphor, about baseball as life itself. And once again, the seemingly intelligent among the fans will embrace their words, smiling at sentences praising baseball as the intellectual sport, as the pastime for thinkers.

  A W.P. Kinsella will print it and they will come. A John Updike will describe a “lyric little bandbox of a ballpark” and they will look at each other and nod knowingly. A David Halberstam will windily proclaim that the game will seem “more than almost anything else … to symbolize normalcy.”

  The game will transcend other, less intellectual sports and become The Game. “Grace” and “elegance” and “ballet” will appear in the same sentences as “double play” and “shoe-top catch.” Laboriously, a George Will sentence will rhapsodize about the Craft and what it requires in watching. “Being a serious baseball fan, meaning an informed and attentive and observant fan … is doing something that makes demands on the mind of the doer,” he argued in “Men at Work.”

  But as the exhibition games begin, the observant fan will note overweight human caricatures grotesquely stuffed into stretched knit uniforms. Patient, he will watch as they make obscene adjustments. Curious, he will wonder at what they are hiding under their neck-beards. Attentive, he will notice the oozing tobacco spittle and how it forms a brown accent line on the chin, as effective as face paint in establishing a clown.

  He will stand and yell when these comic characters rush at each other, arms flailing, and fall to the ground in imitation of professional wrestling. He will shake his head when managers and umpires stand belly to belly, heads wagging, mouths moving.

  After the game, maybe these grotesques will grace the fan with lighted firecrackers, if there’s still time after they’ve sprayed bleach at sportswriters or invectives at their teammates. The more intelligent of those fans will be safe at home when the clowns hold the bar-brawl ritual that often enough closes their day’s activity.

  And the writers will continue their homage. Baseball is, Will continued, “a game that rewards, and thus elicits, a remarkable level of intelligence from those who compete.”

   And how about the intelligence of those who manage and own? George Steinbrenner and Pete Rose? Or going back to earlier periods, Billy Martin, Horace Stoneman, Bill Veeck and Charles Finley?

  In 1983, only a year after a cocaine scandal in the Kansas City Royals clubhouse, the late Sparky Anderson, pennant-winning manager and revered baseball mind, profoundly observed, “In the old days, 24 of the 25 guys on every team were drunk. Today, nobody hardly drinks anymore, and very few take drugs.”

  The late Warren Giles was asked about drug use when he was president of the National League in 1969. “It has never come up, and I don’t think it ever will,” he proclaimed. Over in the American League, spokesman Bob Holbrook agreed: “Baseball players don’t use those types of things.”

  Their thoughts, obviously, were on the higher truths of The Game.

  The players, with their “remarkable level of intelligence,”
were finding higher truth in other ways. Before steroids became the sluggers’ drug of choice, there were other chemical diversions.

  The late Dock Ellis, who partied with Jimi Hendrix and pitched a no-hitter for the Pirates under the influence of LSD in 1970, told an interviewer after his career was finished: “I was using everything, I mean everything. For about eight or nine years, I was an addict.”

  Bob Uecker, once a journeyman catcher and later a beer pitchman, found his high the old-fashioned way. “Anybody can play sober,” he once said. “I liked to get out there and play liquored up.”

  When steroids became popular, when home runs not only had to leave the park, but had to do it spectacularly, the Game’s fans witnessed hero after hero eventually confessing their transgressions. 

  Still, Thomas Boswell, the retired Washington Post sportswriter, could muse on The Game’s “sense of moderation — of both physical and emotional temperance.”

  And novelist George V. Higgins could write, “Baseball is to our everyday experience what poetry often is to common speech — a slightly elevated and concentrated form.”

  Maybe the writers view the display on the field (and off) as the ancient Romans did their spectator “games”: aristocracy enjoying the skills — and follies — of the plebeian class.

  Or maybe it isn’t really The Game itself, but the musings themselves, as the late William Zinsser wisely noted in his book, “Spring Training”: “Writing about baseball seemed to be some kind of validating rite for the American male.”
  Or maybe it is simple guilt. A baseball game consumes several hours, time that could be spent on the Great American Novel, on an insightful political treatise, or a profound philosophical tome. The game must be elevated to The Game to atone for wasted time.

  That’s the way Sinclair Lewis saw it. Cocking a cynical eye on the lower-case game in his novel “Babbitt,” Lewis wrote: “But the game was a custom of his clan and it gave outlet for the homicidal and sides-taking instincts which Babbitt called ‘patriotism’ and ‘love of sport.’ No sense a man’s working his fool head off. I’m going to the game three days a week.”

Soviet Union, 1977

In August of 1977, I took vacation from my job at The Louisville Times and set out for the Soviet Union, signing up for a 22-day tour. I had crisscrossed the U.S. and traveled around Europe three times, so I considered myself a veteran traveler. But I knew this journey would be different.

And so it proved, from introducing Central Asians to Polaroid instant photography to encounters with the KGB; from dodging gourds thrown by an angry Muslim in Uzbekistan to waving at a binoculared and curious teen girl at the Kirov; from witnessing a chair-throwing brawl at a tennis match in Tbilisi, Georgia to sheltering from an early-September snowfall on the shore of Siberia’s vast Lake Baikal.

Most of my previous travel forays had been solo or with a friend or two, but for this journey I would have to sign up with a tour group, required of American tourists by the Soviet government. At Dulles International Airport, I met my nine fellow travelers, all veterans of international journeys.

Two were retirees from the State Department and a third had lived in India, working for a U.S. health agency. Helen’s State Department background included working with train loads of refugees in north Africa. She was traveling with Marie, a psychologist friend who had brought her Polaroid camera. When she took an instant portrait of the hotel manager in Samarkand, he saw to it that our next meal included fresh grapes, which unfortunately led to several of us coming down with the Czar’s Revenge. Dick’s experience with the health agency meant that he was an expert on intestinal maladies, knowledge that was of great use. 

Our U.S. escort was Lillian, a first-generation American whose parents emigrated from the Soviet Union immediately after World War II. Russian was her first language. She had first visited the USSR as a college student on a summer study and travel program in Leningrad. Her familiarity with the Soviet system and Russian-language skill would prove essential. The trip would not have been nearly as enlightening, or as much fun, without her presence.

The flight provided a proper introduction. The food was memorable because of its inedibility. I can still picture a rubbery piece of baked chicken of a notable grayish appearance. I opted to wait until our French refueling stop to eat — even fast food at Orly would be better than what was served up by the indifferent Aeroflot stewardesses.

The plane, a Soviet-built Tupolev, was at capacity, primarily with apparatchiks of the Soviet diplomatic corps and/or their families returning to Moscow. Just across the aisle from me and Lillian were three middle-aged Soviet women, each gripping shopping bags stuffed to the bursting point.

When the seat-belt light went off, the bags were opened and the trio began comparing the contents — wigs. The women spent the first hour of the flight trying on, swapping, and giggling. Lillian explained that wigs like these were unavailable in the Soviet Union. “They probably took orders from friends before they departed on their U.S. visit,” she said.

Then, in Russian, she complimented the women on their choices, getting beaming smiles from the be-wigged trio.

As our flight neared Moscow, Lillian told us what to expect with Soviet customs. Printed material would be carefully examined. No Playboy magazines, no books that depicted the USSR in a light that wasn’t favorable as defined by the Kremlin apparatchiks. Such publications were in high demand, Lillian warned us. I was carrying Desmond Smith’s guide to Moscow, and it caused a short delay when the customs officer confused it with Hedrick Smith’s book on life in the Soviet Union, which was banned. A supervisor was summoned and after a few minutes of looking and conferring, my guidebook was handed back and we were ushered through.

Just outside the customs area our Intourist escort, Anya, introduced herself. She would prove efficient, a staunch Communist — and a hidebound apparatchik. By the next day, Helen, Marie, Lillian and I were working on ways to circumnavigate Anya.

The bus ride into Moscow introduced us to Soviet architecture and suburban planning — complexes of multi-story, gray-concrete buildings surrounded by unkempt fields crossed by worn paths leading to bus stops.

But once we entered the city, the architecture of czarist Russia proved more interesting, with pastel-colored buildings providing visual relief from the massive Soviet edifices. And as we neared Red Square, St. Basil’s onion-shaped domes vibrantly countered the Kremlin’s forbidding limestone walls.

Our hotel, the Intourist, was just off the square. It was, according to Desmond Smith, exclusively for foreign guests. The government did not want foreigners mingling with ordinary Soviet citizens. In the airports, we would discover, domestic lounges were separated from those used by foreigners.

After check-in we had the first of many meals featuring tough meat of mysterious origin. The meals invariably included well-prepared French fries, which became my primary sustenance. Then came an inner-city tour, Anya pointing out the official monuments and buildings, Lillian pointing out those that Intourist didn’t want us to know about, such as the pale-yellow building that housed the KGB.

We wandered Red Square, toured St. Basil’s and stood in line for an hour or so to get a glimpse of Lenin in his tomb. Soldiers patrolled the line, making sure there were no cameras or other banned materials. Lenin looked remarkably good for someone dead for 50 years, good enough so that many Western experts believe that he is made from wax.

Each time we re-entered the hotel, we had to dodge a couple of teens wanting to purchase any blue jeans we might have or offering advantageous ruble/dollar exchange rates. A word or two from Anya and they would drift away. Off the hotel lobby there was a “dollar store” where foreigners could purchase Soviet souvenirs, but payment could only be made in U.S. dollars. There was also a bar, popular with late-night drinkers, that likewise only accepted dollars.

From those seeking jeans or dollars, there would be a hurried “nichevo” uttered as they scattered at Anya’s admonition. Lillian explained that the word was the Russian equivalent of an accommodating shrug and the phrase “never mind.” Muscovites, we learned, use the term several times daily – trying to complete a phone call, summoning an elevator, waiting for service from an indifferent waiter.

At our second meal in Moscow, facing another unidentifiable piece of meat, Helen looked at Marie, shrugged and muttered “nichevo”, much to our amusement and Anya’s embarrassment.

After our introduction to Moscow’s official Soviet-dom, we boarded another Aeroflot Tupolev and headed south to Tbilisi, to the area that produced Josef Stalin. And where, according to journalist Hedrick Smith’s knowledgeable account of his Soviet experiences, the Kremlin’s hold had been severely compromised. Georgia, Smith reported, was home to entire off-the-books industries dedicated to producing black-market products destined for Moscow and Leningrad.

We were booked into the Tbilisi Hotel, an establishment on the far side of its glory days. High ceilings, marble staircases, room-size oil paintings – and an all-male dining-room band that could have graced the stage of a 1940s Hollywood movie. Each musician was outfitted in dark dress pants and starched white shirts. When they learned that we were Americans, they broke into “Yankee Doodle” then followed up with “Melancholy Baby” featuring phonetic-English vocals.

Lillian’s experience in Georgia was limited, but she compared it to “more like a sunny Mediterranean country” than the dreary and gray Moscow we had just witnessed. After our check-in, and on a walk around downtown, Lillian and I noticed a flyer for a tennis event scheduled a couple of hours later. Featured were Billie Jean King and four other Americans, including John Lloyd, then married to Chrissie Everett. We decided we had to attend.

Back at the hotel, we approached Anya about getting a couple of tickets. “Impossible,” Anya said, noting that we were scheduled to attend the circus at the same time. We then figured out where the tennis was taking place and how we could get there by bus. After arrival, we had no trouble purchasing tickets, even though the venue, a small indoor facility, only held about a thousand fans.

There, after the distraction of the metal-chair brawl on the landing behind us (quickly broken up by Soviet security), we were introduced to the character who would prove to be one of the journey’s most interesting. 

“In Moscow, just ask for Andrei the Great – everyone knows me there,” he told us. 

Lillian and I, seated about 20 rows up, had decided to try to make our presence known to the participating Americans. We yelled “Hey, John” at an appropriately quiet break in the action, assuming that was the last thing Lloyd would be expecting in Soviet Georgia.

We were correct – he immediately turned in our direction and, spotting a cute blonde (that would be Lillian), he motioned us down. We were soon sitting with Lloyd (King was involved in her match), the American official in charge of the tour, and the Soviet translater/liaison/handler, Andrei the Great.

The American official – I don’t remember his name – was obviously taken with Lillian, but she was familiar with such attention and knew how to handle it. 

During a break in the action, Andrei and Mr. Official invited us back to the locker room for soft drinks. There, we got to know Andrei better.

He looked and sounded like Marty Allen, a Jewish comedian popular at the time: small of stature with an impressive Afro haircut and a distinctive Brooklyn accent. When I suggested that he must have spent time in New York to master English, he said that he had never been outside the Soviet Union and could not leave: “I’m still in trouble over my two divorces and three marriages,” he explained with a grin.

Besides, he contended, he did not want to leave. “I love my country. If I don’t like my job, I don’t pay much attention to my duties, and they give me another job.” Each comment was accompanied by a laugh.

Later, as our adventures continued into Central Asia and more contact with the Soviet bureaucracy, we guessed that Andrei was KGB. The argument: The government would want the U.S. contingent closely watched while they were in the USSR so the apparatchiks would provide someone who spoke perfect English and therefore would be able to understand the meaning behind any probing questions. And any Russian with that kind of English expertise would have received the best training and education, the kind of training provided by the KGB.

After Soviet Georgia, we flew east for Uzbekistan, with stops scheduled in Tashkent, Samarkand and Bokhara. Tashkent, the Soviet Union’s fourth largest city at the time, had been the site of a devastating earthquake in 1966 and had been re-built with massive box-like Soviet edifices, official-looking and intimidating. If Tbilisi was more Mediterranean in culture and ambience, Tashkent, with its new buildings proudly utilitarian in their severity, was more a statement of the future as defined by official communism.

Our itinerary included show-off visits to a large center-city park, the country’s largest statue of Lenin, and, in the evening, a ballet.

We had been told that Tashkent was rumored to be the site of a notorious “thieves’ market” where black-market goods were available. One item that supposedly could be found there was lapis lazuli, the semi-precious, intensely blue stone that has been mined in central Asia for centuries.

The next day, after Anya explained that “thieves’ markets” were illegal in the Soviet Union and therefore did not exist, we were taken to a sprawling outdoor market.

Helen and Marie were looking for lapis lazuli, the rest of us just looking and taking a photo or two. At one point, as I haggled with a skull-capped man over a couple of small gourds that had been fashioned into snuff holders, the seller noticed that one member of our party was taking a picture. He immediately launched a gourd in the direction of the camera. We got the message.

After marveling at piles of melons and tastings of a sticky, grape-juice candy, we went back to the hotel for another meal only made palatable by the stiff shot of ice-cold vodka that served as the aperitif.

And then we were off to a lecture by local officials and a visiting dignitary. The subjects were economics and history. As we were discovering, the authoritative figures we encountered outside of Moscow were, invariably, posted from Moscow. The main speaker was such a figure. And, as a hedge against any slip-ups, his interpreter/translator was a Muscovite as well.

We were not the only English speakers in attendance, but the others were obviously on official business, with economics apparently the interest. At one point, after an inquiry delivered in Russian, the translator, with a surprised glance at the speaker that quickly turned into a pained stare, took the economist to task, while murmurs broke out among the Russian-speakers in the audience.

“Uh, oh – our speaker just made a mistake,” Lillian whispered.

Finally, the translator responded with a muddled jumble of economic catch phrases that brought the lecture to an end. The question, Lillian explained as we prepared to leave, had been an inquiry about the paramount goal of the Soviet system. The answer, delivered forcefully by the economist: “We want to bury the United States.” The translator told him he could not say that – and decided that was an excellent spot to end the talk.

The next day, after our check-in at the Samarkand Hotel in the centuries-old central Asian city, we got an irritating, nichevo-generating welcome. The elevator was not functioning and our rooms were on the seventh floor. Help with the bags for some of the older group was provided but I chose to lug my stuff up the stairs. Slowed by my labors, I noticed that each step seemed to be a different height from the one before. 

Setting my bags down, I took a closer look. Though I didn’t try to measure them, it was obvious that there was plenty of variety. Did the height depend on which workman had that job on that day? Had the hotel been constructed by a crew involving Ivan Denisovitch Shukov’s cadre? Or was it simply another example of the nichevo shrug?

Finally settled in my room, I watched as a windstorm hit the city, rust-colored dust blotting out the streets below. Through the centuries Samarkand has been the site of tyrannical raids by Mongol hordes and other ruthless invaders, and I was tempted to see the storm as an ominous sign.

The next morning at breakfast, Marie brought out her Polaroid camera. Pleased that he had American guests, the hotel manager was hovering around our table, ensuring that everything was suitable. After Marie asked him to smile for a picture, he watched in amazement as the photo emerged from the camera and his image – in color – slowly appeared.

Marie presented him with the picture and he soon was surrounded by his employees, marveling at this instant portrait.

Afterwards, he asked if we had any special meal requests. Our immediate answer was fresh vegetables or fruit.

At our evening meal, each of us found a large bunch of grapes at our seat. And the manager introduced us to his wife. He had told her about his portrait and she had not believed him when he said he got it a minute or two after it was taken. So to convince her, he brought her to work. Naturally, Marie then took a picture of the two of them together. As hotel employees and restaurant guests passed the photo around we enjoyed our fresh grapes.

Unfortunately for several of us, me included, the grapes led to the Czars’ Revenge. Dick, who was not affected, explained that the onslaught did not mean that we had food poisoning: “When your stomach is introduced to bacteria it hasn’t encountered previously, it reacts by quickly sending it on. I guess that my stomach became familiar with that particular bacteria while I was living in India.”

He then generously shared from his cache of Pepto Bismol.

The next day we encountered Timur the Lame – aka Tamerlane – who is generally ranked in the top tier of history’s ruthless conquerors, up there with Genghis Khan and Attila the Hun. Historians estimate that Timur was responsible for 17,000,000 deaths. 

His demise in 1405 (while on the way to do battle with a Sino counterpart) was well-marked and his followers made sure he got a proper burial in his base of operations, Samarkand. In the early 1950s, the tomb, suitably grand for a despot of his fame, had drawn the attention of the Soviets and been spruced up to add credence to their claims of respect for the area’s history. 

So, after we had wondered at the splendors of the Bibi-Khanym mosque, one of Timur’s signature projects, we were taken to his final resting place. Helen noted that she had never expected to be standing near the remains of a murderous despot, and then we got to talking about how we had come to Central Asia, in a part of the Soviet Union that was generally off-limits to Americans until officialdom’s recent “thaw.” I confessed that a movie had been my inspiration.

The film was “The Man Who Would Be King,” based on a Rudyard Kipling story, directed by John Huston and starring Sean Connery and Michael Caine. The setting was Baluchistan, a sprawling mountainous site stretching over modern-day Afghanistan and Pakistan.

A trip to a travel agent led to the discovery that my best bet for seeing Central Asia was a 22-day tour of the Soviet Union. As bonus, I would spend time in Moscow, Leningrad and Siberia. At the time, I had only a vague notion of Tamerlane, an almost-mythic figure. Now, I was standing only a few feet away from his remains, resting under dirt and stone in a highly polished mausoleum.

But, as our discussion continued, it was pointed out that given the reign of Josef Stalin, it was perhaps a despotic kinship that led to the restoration. Stalin’s brutality, Helen noted, was responsible for an estimated 20,000,000 deaths.

Next stop after Samarkand was Bukhara, close enough so that Aeroflot opted for a propeller-driven airplane, their version of the work-horse DC-3 once common in the US. As with our other Aeroflot trips, the plane was at capacity. 

The city, much smaller than Tashkent and Samarkand, seemed more rural in nature. Heaping piles of raw cotton were visible over the tops of walls as we were driven to official tourist sites. Cotton, Anya pointed out, is a primary product of the area, and would be transformed into the brightly colored textiles the area is known for. The textiles were also popular with tourists from Eastern Europe and Russia seeking respite from their gray existence to the north and west.

Centuries-old medresseh and mosques turned into museums awaited tilework restoration. As we had begun to notice, the museums featured at least one elderly female stationed in each room, usually occupying a chair just inside the door. They were there, we now realized, to keep an eye on us. And they all seemed to be entranced by the clothing worn by the women in our group – its Western style and bright colors in sharp contrast to the drab frumpiness of their attire.

In a small museum, the woman seated next to a highly polished samovar that occupied a place of pride took her eyes off Lillian’s dress long enough to make sure that I understood I was not to take her picture. Once Lillian explained that I was interested only in the samovar, she grudgingly moved aside so I could get my picture.

As a reminder of its history of brutal rulers, Bukhara’s skyline was dominated by the Kelyan Minaret, built in the 12th century. In addition to its roles as an observation post and pulpit for calls to prayer, it had earned the nickname as the Tower of Death: Criminals and others out of favor with area rulers were thrown to their death from its top.

Other lingering images involve massive fortress walls still intact after a thousand years, and mosaics featuring Chinese dragons as well as Persian peacocks, visual testament to the city’s importance as a stop on the ancient Silk Road.

And, there’s the image accompanying this account, a photo representative of what we were witnessing in 1977: an Uzbek leading his cow down an otherwise empty street, taken from the balcony of my room in a modern, multi-level hotel, this one featuring a working elevator.

 Next up was a half-day’s bus trip across the border into Tajikistan, the republic that provided the USSR a buffer from Afghanistan to the south and China to the east.

Intourist wanted us to see an archeological dig near the hamlet of Pendzhikent. Soviet scientists had dug around a centuries-old Zoriastrian site, but from all we could tell, the dig had not been active for decades. Weed-infestation made the “attraction” anticlimactic, so we were driven back to Pendzhikent to visit a small museum.

Featured were a few ancient baubles, but what stood out to me was a display of graphic anti-Islamic propaganda: bloody images of torture and beheadings parroting the official Moscow take on the religion. Anya attempted an excusatory explanation, but since most of us were still having problems with the Czar’s Revenge we were more interested in the museum’s restrooms. And, for a change, at least a couple of the toilets were outfitted with seats.

The ride back to civilization included a stop at a roadside farm commune where female workers were harvesting potatoes and tobacco was drying on racks. Someone in our group noted that both products were new-world discoveries, which was news to Anya. But our visit was not a planned educational one – it was another bathroom stop.

By air, Eastern Uzbekistan to Irkutsk involves a flight of more than 3,000 miles – we would land in Tashkent and transfer from a small prop-jet to a larger craft. Simple enough in the U.S., but as we eventually learned, complicated in the Soviet Union. After deplaning at Tashkent’s modern airport, we were ushered into the vast lounge set aside for foreign travelers, which we had to ourselves. Through a glass window we could see the much busier departure area for Soviet travelers, just below us.

As we waited to board the plane for our next leg – between trips to the bathroom – we played cards, we read, we talked with each other, we wondered what was taking so long. I decided to take advantage of the empty space to get some exercise by walking from end to end. 

After much discussion, one of the women in the group decided that she needed to visit the airport’s clinic for help with her stomach problem. Her report back to us: “They decided I needed to eat more, which is the last thing I need to do. All I got was the typical nichevo response.”

We played cards some more, we refined our grousing, Helen and Marie joined me in walking, introducing military-style cadence until the others let us know that we were no longer amusing. Anya, becoming more and more frustrated, would make periodic trips downstairs seeking information. Finally, it was mentioned that all our flights had been at capacity. And, someone said, “that’s it – they’re waiting until every seat has been filled.”

If that was correct – and it probably was – potential travelers were having too much fun in Tashkent to continue their journeys, postponing departure until the next day. We were taken back to the Tashkent Hotel – without our luggage – as the flight was rescheduled for the next day. Fortunately, since the hotel was new the toilets still had their seats.

The view from our jet was of miles of desert wasteland until we neared Kazekstan’s then-capital, Alma Ata, a re-fueling stop. We were now in the ancient homeland of the Sythes, one of the brutal nomad groups that in centuries past had dominated central Asia and periodically threatened southern Europe.

We had a couple of hours, so I decided to get outside the airport to try and appease my own nomadic yen by wandering around a bit. I managed to slip by Anya, but the airport was far removed from the rest of the city, so I didn’t go far, settling for an unobstructed view of the Tien Shen Mountains. The range defines the border with China.

Eventually, the Czar’s Revenge forced me back into the airport. But at least I could tell my friends that I had seen China, only admitting when pressed that it was from a couple of hundred miles away.

Late afternoon, we arrived in Irkutsk, unofficial capital of Siberia. A frontier atmosphere was dominant – wooden frame houses with firewood stacked outside, oxen-pulled work wagons on city streets, beat-up vehicles re-purposed as residences perched on high spots along the roiling Angara River and its tributaries. And the area’s bloody Soviet history underlined that impression.

Many of the Russians involved in the Decembrist Revolution of the early 1800s were exiled to the city, a procedure that was repeated following the October revolution of 1917. During the latter, the area was the site of fierce battles between the Reds and the Whites. 

We were domiciled at the Angara Hotel, an older downtown facility. Its location, I realized, would help in the daybreak excursions I was determined to make – I could easily walk to the shores of the Angara River a bit farther east.

At dinner, the hotel chef presented us with a welcome surprise – a golden aspic featuring a variety of mushrooms. Unfortunately, most of us could only nibble at it thanks to the wrathful grapes of Samarkand.

After dinner there was another circus, this one highlighted by bears playing ice hockey. The crowd was more enthusiastic than the bears, but at least the action wasn’t marred by chair-throwing fans like Lillian and I had witnessed at the tennis matches in Tbilisi.

Daybreak the next morning I was at a bridge over a small tributary of the Angara shooting pictures when I noticed that the man who had been several yards behind me all the way from the hotel was loitering across the road, trying to look interested in the roiling water of the river.

The clip-clop of horses diverted my attention and I turned to be greeted by a friendly pair of Buryats on a wagon.

Then, as I realized breakfast time was near and I didn’t want to face Anya’s ire, I headed back to the hotel, my “escort” lagging a block or so behind. Within a few hundred yards I heard a familiar sound – a female was leading an exercise group in a small park. A peek through the shrubbery revealed a dozen or so women working out to the recorded voice from a Soviet boom box. And the voice’s familiarity made sense now that I could hear her clearly. It was a Jane Fonda tape.

After breakfast (and the disappearance of my “escort”) we undertook an hour-long drive to a small settlement on the shore of Lake Baikal, the deepest and oldest in the world. There we toured a museum devoted to the lake’s water residents, many of which are found only in Baikal. Lunch – involving fish, of course – was in a modern facility overlooking the water. 

Afterward, I attracted the attention of a goat, who followed me around as we checked out the wooden houses and their hand-carved frames and eaves. With snow swirling, the decision was made to return to Irkutsk. As I climbed back on board our bus, the nanny followed, finally being removed by the driver, her bleats sounding eerily like “nichevo.” The consensus of my fellow travelers was that she was attracted to my ragged beard.

We departed Irkutsk the next morning for Leningrad, our journey involving five time-zone changes, two refueling stops and a switch to a different jet in Moscow.

Our landing for fuel in Novosibersk provided a scare. The jet – at passenger capacity, of course – taxied to the end of the runway, and turned to proceed to the terminal. Then the engines abruptly shut down. We sat and waited, and waited, and waited. There were nervous murmurs. Then someone noticed a fire truck headed in our direction with lights flashing. The murmurs became louder. Finally, Lillian got an explanation from a stewardess: The fire truck was needed to restart the jet engines. Soon, we were in the air again.

By the time of our visit to Leningrad, thanks to the persistence of the Czar’s Revenge and the always-present Soviet atmosphere of repression and its resultant fear, I was looking forward to returning to the USA. But Leningrad provided a final ray of sun despite overcast skies. 

Interestingly, after the collapse of the Soviet Union in the early 1990s, Russia was quick to return the city’s pre-USSR name. St. Petersburg is much more suited considering the city’s Italian baroque architecture, its arts orientation, and its working, up-to-date facilities, many of which were built in Finland with a resultant Scandinavian-modern vibe.

Our schedule included the Hermitage, with its rich collection of Impressionist paintings, and Petrodverets, the summer palace of Peter the Great with its tricked-up carousels. Our hotel was outfitted in Scandinavian-modern and overlooked the Aurora, the World War I ship that played a key role in the Bolshevik uprising that led to the establishment of the Soviet Union.

After a chance encounter with a poster touting a performance at the Kirov theater, Helen, Marie, and I decided to see if we could obtain tickets. We were successful, but discovered that the staging was of “Eugene Onegin,” a Tchaikovsky opera, instead of the ballet we thought we would be attending. But we had good seats, the theater was beautiful, and I assume the performance was up to par. It was my first operatic experience, so I won’t venture a critique.

Before the opera began, I noticed a family in one of the private balcony boxes that included a girl of about 14. She was equipped with opera glasses and she had them trained on us. We synchronized a wave at her and were suitably rewarded with an embarrassed smile, then after whispers from her mother, the girl’s binoculars were put away.

At intermission, we ventured from the auditorium in search of a drink – and found a charming custom from the past. There was a room set aside for promenading, with couples marching around, two by two, on a rectangular carpet as others watched and whispered among themselves. We assumed that the dress of the females was the primary topic.

Once we had returned to the hotel, I re-packed my bags, climbed into bed and, looking forward to the return home, fell asleep. Then, only a few minutes later, I was jolted awake by loud explosions. After shaking the sleep-fog from my head, I looked out the window and discovered fireworks exploding over the Aurora. The city was celebrating a newly approved constitution, I learned at breakfast. But we interpreted the fireworks differently – they provided a suitable departure for us.

The next day Lillian and I took advantage of a two-hour refueling stop in Paris with a simple meal at an airport café. We agreed that the feast – a freshly baked baguette accompanied by a soft, flavorful cheese and cold Dutch beer – was the perfect welcome back to a world where such treats were normal. All I remember of the final leg back to Dulles was that I had no problem sleeping.

Hillbilly Tales

During the Christmas holidays a few years back I got a phone call from a Boston friend. His first words were “Well, I just had a Flannery O’Connor experience.”

Now, my friend is a true Bostonian – born in Boston, went to college in Boston, entire journalism career working in Boston. But he had recently married a woman from eastern North Carolina, and he had spent the Christmas holidays with her family, way south of his geographical comfort zone.

My friend usually is not fazed by new experiences, but too much of his knowledge of the South has been based on conversations with me and other newspaper veterans from south of the Mason-Dixon. And we Southerners are known to exaggerate when talking about our background, and, perhaps more damning, to nurture eccentricity in fellow Southerners to ensure we have dependable sources for our tales.

I wanted details, and he quickly obliged. The day after Christmas, it seems, featured generous amounts of alcohol, runaway ice, and a pair of great-uncles, one of whom had lost his driver’s license because of DUI incidents. “Instead of Over the River and Through the Woods,” he said, “the excursion was Over the Highway and Through the Fields.”

Early on the 26th, one of his bride’s uncles – we’ll call him Doc – made the decision to visit HIS uncle, who lived a few miles away. There they met up with the great-uncle, who will be Buster here, and his brother. “Since the loss of his driver’s license,” my friend continued, “the brother kept up with his relatives by driving through farm fields to the highway, then looking around to make sure there was no evidence of the constabulary before gunning his vehicle across the road.”

As Doc and my friend arrived at Buster’s, the first thing they noticed “was one of those Chevrolet Impalas from the ‘70s, you know, about the size of Indiana; it was parked in the front yard with a “For Sale” sign stuck inside the windshield.

“After a moonshine-fueled welcome from the great-uncles-in-law, the bourbon came out, and we were introduced to Buster’s new refrigerator, which featured an ice-maker and dispenser in the door. The bourbon required ice, of course, but Buster had not mastered the dispenser and ice was soon flying all over the kitchen. It was like ice-skating on linoleum.

“When I went to the bathroom, there were four stand-up urinals. I guess they were from an old theater or some public building and he had gotten a deal on ‘em. They were all connected to the plumbing; if you’re going to plumb one, might as well plumb them all.

“The bourbon kept flowing, and the flying ice was making it more difficult to maneuver, so I started taking small sips to regulate my intake – someone had to stay sober. That turned out to be the best decision, as it was decided that I should see the beaver dam down on the other side of the farm, and since I possessed a valid driver’s license I was drafted to be the wheelman.

 “The for-sale sign was removed from the Chevy and we set off across the fields. The car apparently still had its original shocks and the fields had exacted a heavy toll. Controlling the Impala on North Carolina farm fields in December was like handling a winter sled in New England. The tires were baloney skins and a lot of quick spinning of the steering wheel was the only way to keep the car from bogging down in mud. 

Sure, there was a beaver dam on the creek, which I think was probably the farm’s border.  It had flooded maybe a low acre, and the adjacent saplings had suffered the beavers’ craftsmanship. Not a beaver in sight.  So, for all of the build-up and transportation perils what we had was essentially a visit to an irrigation pond.

“As I started the drive back to the farmhouse, I worried I would never gain traction. And I was NOT walking back through those barren, furrowed acres with three drunk Tarheels, who seemed unconcerned – or oblivious – to any potential predicament.

 “A successful return trip, I suppose, was all that kept my motoring skills from being the most memorable aspect of the outing. Funny what passes for holiday entertainment in Dorches, North Carolina.”

Prose Strikes Out

 First published in The Boston Globe, April 1994

The scribes, stimulated by the sunshine of Fort Myers, have filed their first spring-training stories, thrown out their first cliches of the season.

  And as sure as the hopeful reports will continue from City of Palms Park, as sure as the Mets — individually and en masse — will do something juvenile, baseball’s great myth, its greatest cliche, will again be perpetrated.

  The literary lions will send back their musings about the boys of summer, about baseball as metaphor, about baseball as life itself. And once again, the seemingly intelligent among the fans will embrace their words, smiling at sentences praising baseball as the intellectual sport, as the pastime for thinkers.

  A W.P. Kinsella will print it and they will come. A John Updike will describe a “lyric little bandbox of a ballpark” and they will look at each other and nod knowingly. A David Halberstam will windily proclaim that the game will seem “more than almost anything else … to symbolize normalcy.”

  The game will transcend other, less intellectual sports and become The Game. “Grace” and “elegance” and “ballet” will appear in the same sentences as “double play” and “shoe-top catch.” George Will, in his laborious way, will rhapsodize about the Craft and what it requires in watching. “Being a serious baseball fan, meaning an informed and attentive and observant fan … is doing something that makes demands on the mind of the doer,” he writes in “Men at Work.”

  But as the exhibition games begin, the observant fan will note overweight human caricatures grotesquely stuffed into stretched knit uniforms. Patient, he will watch as they make obscene adjustments. Attentive, he will notice the oozing tobacco spittle and how it forms a brown accent line on the chin, as effective as face paint in establishing a clown.

  He will stand and yell when these comic characters rush at each other, arms flailing, and fall to the ground in imitation of professional wrestling. He will shake his head when managers and umpires stand belly to belly, heads wagging, mouths moving.

  After the game, maybe these grotesques will grace the fan with lighted firecrackers, if there’s still time after they’ve sprayed bleach at sportswriters or invectives at their teammates. The more intelligent of those fans will be safe at home when the clowns hold the bar-brawl ritual that often enough closes their day’s activity.

  And the writers will continue their homage. Baseball is, Will continues, “a game that rewards, and thus elicits, a remarkable level of intelligence from those who compete.”

  Are you listening, Vince Coleman? Lenny Dykstra? Jose Canseco, Wade Boggs, Jack Clark, Oil Can Boyd, Rob Dibble, Roger Clemens? And Pete Rose and Steve Howe and Denny McLain and Dwight Gooden?

  And how about those who manage and own? George Steinbrenner and Rose again? And, attempting gender equity in baseball burlesque, Marge Schott? Their predecessors include Billy Martin, Horace Stoneman, Bill Veeck and Charles Finley.

  In 1983, only a year after a cocaine scandal in the Kansas City Royals clubhouse, Sparky Anderson, pennant-winning manager and revered baseball mind, profoundly observed, “In the old days, 24 of the 25 guys on every team were drunk. Today, nobody hardly drinks anymore, and very few take drugs.”

  Warren Giles, the president of the National League, was asked about drugs in 1969. “It has never come up, and I don’t think it ever will,” he proclaimed. Over in the American League, spokesman Bob Holbrook agreed: “Baseball players don’t use those types of things.”

  Their thoughts, obviously, were on the higher truths of The Game.

  The players, with their “remarkable level of intelligence,”
 were finding higher truth in other ways.

  Dock Ellis, who partied with Jimi Hendrix and pitched a no-hitter for the Pirates under the influence of LSD in 1970, told an interviewer after his career was finished: “I was using everything, I mean everything. For about eight or nine years, I was an addict.”

  Bob Uecker, once a journeyman catcher and now a beer pitchman, found his high the old-fashioned way. “Anybody can play sober,” he once said. “I liked to get out there and play liquored up.”

  Still, Thomas Boswell, the Washington Post sportswriter, can muse on The Game’s “sense of moderation — of both physical and emotional temperance.”

  And novelist George V. Higgins can write, “Baseball is to our everyday experience what poetry often is to common speech — a slightly elevated and concentrated form.”

  Maybe the writers view the display on the field (and off) as the ancient Romans did their spectator “games”: aristocracy enjoying the skills — and follies — of the plebeian class.

  Or maybe it isn’t really The Game itself, but the musings themselves, as William Zinsser wisely noted in his book, “Spring Training”: “Writing about baseball seemed to be some kind of validating rite for the American male.”
  Or maybe it is simple guilt. A baseball game consumes several hours, time that could be spent on the Great American Novel, on an insightful political treatise, or a profound philosophical tome. The game must be elevated to The Game to atone for wasted time.

  That’s the way Sinclair Lewis saw it. Cocking a cynical eye on the lower-case game in his novel “Babbitt,” Lewis wrote: “But the game was a custom of his clan and it gave outlet for the homicidal and sides-taking instincts which Babbitt called ‘patriotism’ and ‘love of sport.’ No sense a man’s working his fool head off. I’m going to the game three days a week.”

Fragments

THE GIFT

Since we’ll be in the new house in the country soon, we loaded up the SUV and drove out there last weekend to see how things were going. There was a nip in the air, so I wore the cardigan sweater I got for Christmas a couple of years ago. During the drive, The Wife reminded me that if it wasn’t for the cardigan, we wouldn’t be moving at all. Though I detected a note of smugness in her voice, I let it pass.

Understand, I have nothing against cardigans. They’re generally attractive and they’re functional. The problem with cardigans is that they imply so much about you. And though the implication is quiet, it’s relentless. For example, it’s really difficult to wear a cardigan without smoking a pipe. Those little pockets on the side were designed to hold a pipe and tobacco. What other possible use could they have? They’re too small for your hands.

I had never wanted to smoke a pipe. I had always believed pipe smokers to be pompous asses, fouling the air with their aromatic and all-too-English tobacco mixes. Every pipe smoker I’ve known practices the kind of fatuous snobbery that reaches its pinnacle with Harris tweeds and Wellingtons. I had always treated pipe smokers with disdain, if not outright hostility.

But I did manage to find a tobacco that’s sort of mild and relatively odorless, though the Labs always leave the room when I light up.

I would never have bought a cardigan for myself. It was a gift, of course. Even after I received it, I didn’t intend to wear it. After making the obligatory to-do over it in front of the giver, I placed it on the shelf of my closet, hoping it would be forgotten. But the giver kept asking about it, and guilt being unrelenting, I started wearing it. I bought the pipe one Saturday morning when I had to run down to the hardware store to pick up some flanges (I was wearing the cardigan) and it was there beside the cash register, nestled in a velvet-lined box, on sale, complete with a tin of Special Tartan Blend tobacco.

After the pipe became a fixture, and I kept getting comments about how “English” or how “dashing” I looked in the cardigan, I bought one of those herringbone-wool caps that you see in old automobile advertisements. You know, the car is stuck in the mud of a country lane, and the bonneted lady is exasperated and her date is perplexed (but still dashing) as he tries to figure out how to unstick the car. Of course, his cap matches his knickers. The wife couldn’t find a pair of herringbone-wool knickers, so we settled for corduroy.

The first thoughts about the townhouse being too small, and too — well, modern — came when I was sitting at the kitchen island, thumbing through an Orvis catalog. I was wearing my cardigan and smoking a pipeful of the tobacco that I have specially blended down at the Briar and Bowl. It was a blustery day, and I was appreciating the coziness of my situation when The Wife came in and remarked about how nice it would be to have an old-fashioned stone fireplace. She added that with my pipe and cardigan, I would look really nice in front of a roaring blaze.

The next day we drove out into the country, tooling around the backwoods in the BMW, breathing healthy autumn air, watching the smoke curl from the stone chimneys of picture-perfect farm houses scattered among the woods and fields.

We watched a man saddle his horse, dog sitting dutifully by his side. We stopped in a country store and bought apples and talked with the tanned and cheerful postmistress of a crossroad named Spillcorn or Cornpone or something similarly bucolic. On the way back we talked about the advantages of Life in the Country.

The Lab came a little later, when a friend — I think it was LaFong — remarked that all I needed to complete the picture was one of those black dogs that are born with limp ducks in their mouths. A few days later I brought home the pup and we named it Harris. Full of puppy energy, Harris likes to bound around the patio, chasing the pigeons that try to land on the railing. It is sort of sad, knowing that he would rather be splashing through some icy bog on the mission for which his breed was bred — to bring back the dead waterfowl his master has just brought down with a single blast of his shotgun.

As Harris has grown he has begun to create problems in the condo. Anytime there is more than two guests, he has to be shut out on the patio. There just isn’t room. He sits and peers inside, sad-eyed. “He’s so lonely,” The Wife would point out.

So we bought him a playmate, another Lab, which we named Plaid. Plaid quickly caught on to the pigeon game, and there are a lot of great times watching the two of them playing. They also do some damage, knocking over the glass block and its gladiolas. We’ve had to give up on the fresh flowers.

Eventually, we made more trips to the country, so the dogs could get out and run, and discovered that the Beemer just wasn’t big enough for us and the dogs. Especially when we crammed in the bushel of apples and the roasting ears and the pole beans. We decided on the Lexus SUV in a sort of chocolate brown, a restful earth color.

On our fourth trip out we found the land — 10 acres, about half wooded with a pond at the edge of the trees. The Wife pointed out that the small rise with the fieldstone outcroppings on the slope would be a perfect homesite.

In back, running into the woods, are the remains of an old stone fence. We’re using some of the stone for the fireplace. It works well with the rustic look the builder is giving the place.

Last trip out I cut a cord or so of firewood from a red oak that had fallen in the woods and stacked it next to the remains of the fence. We’ll need it when it gets colder and there is snow on the ground.

The Wife had taken the Lexus and was making the rounds of the antique stores, looking for primitives to furnish the house. (We’ve promised all the modern, high-tech stuff to LaFong.) When she returned, I was helping her unload her purchase, a late-19th-century pie safe, when she noticed a hole in the elbow of the cardigan.

“Maybe you’ll get a new one for Christmas,” she predicted, with a knowing smile.

 

Riding the rails

 

I know Brig, Switzerland only through a train window, only at night. Three times I have stopped there, entering and leaving Italy through the Semplon Pass, the route across the Alps developed by Napoleon. There my passport was checked, twice to make sure that I was fit for the ordered world of Switzerland, once to be welcomed to the relative chaos of Italy. All three times I was asleep upon arrival, waking because of the still silence. The window view was of serenity: empty platform, blue-cool glow from the station’s lights, dark silhouettes of the mountains looming beyond.

The Semplon Pass, the middle-of-the-night setting, the eerie silence – all mindful of a scene from a classic ‘40s film, perhaps a romantic comedy. My first Brig stop, in the late 1970s, would have worked well in such a film. It involved a girl I had met on the platform at Florence, where we both were waiting for the same north-bound train, she headed home to Basel while I was en route to Paris. Her name was Nelli and she had spent a couple of months in the United States and was eager to practice her English. I was simply eager.

My last stop in Brig was in 2010 when I was on my way from Milan to Paris, then, via the Chunnel, on to England for a Queen Mary voyage back to the U.S. It, too, featured a movie scene, but it was more film noir than romance. There was no Nelli, just a blood-curdling female scream in the middle of the night. When I had boarded around 11:30 p.m. I found I was sharing a sleeper compartment with an Italian businessman who was a regular between Padua and Paris. He warned me that there was a lot of theft on the train, and since I was in the lower berth, I should make sure the door was locked.

After our half-hour stop in Brig, I was soon asleep again. Then, about an hour into the Swiss Alps, I was awakened by the scream, followed, in English, by a female voice yelling “Stop, thief. You, get out.” We could hear commotion in the corridor. Opting for caution, my compartment mate and I decided against opening the door to find out what was going on.

After a few minutes, and some animated chatter (in Italian) from the intruder and the conductor, it was determined that the woman had failed to lock her door, and another traveler, sleepily making his way back to his bed from the restroom, had mistakenly entered her compartment. Film noir comedy, perhaps.

I began my train traveling in earnest in 1972, in Europe. There were memorable rail episodes in Germany, in Norway and France and Spain. And, years later, in Australia and Mexico and the United States. There were friendly, fascinating travel companions. Spectacular scenery, high Alps to Australian Outback desert and Mexico’s Barrancas del Cobre. Unexpected adventures, including witnessing a fistfight at a station in the Peloponnese and watching a troublemaker handcuffed on an Amtrak train in South Carolina. And I learned on three trips in Italy that dealing with rail lines in that country is always an adventure.

Since that 1972 journey, rail has been my favored way of getting from Point A to Point B, for many of the same reasons it has been favored by movie-makers: Diverse groups can be thrown together in a confined space; border crossings present opportunities for drama; interest builds easily as protagonists move farther and farther away from the familiar.

Too, there are more mundane advantages: relaxation as someone else takes care of propelling you; the discovery of exotic cultures and locales; the sleep-inducing rhythm of the rails. And there is the excitement of heading into the unknown, a pleasure that can be made better at night when everything is in the abstract, lit only partially, mysterious shadows hiding pleasure and/or danger.

Early in my first foray to Europe, I discovered that I could sleep on overnight trains, saving the cost of a room. At that time most European trains featured compartments with bench seats that had room for three – if you were the only occupant there was plenty of space to stretch out and sleep. So it’s 11 p.m. and you’re in Hamburg and there’s a train leaving for Vienna, due to arrive at 8 a.m.? Perfect, if you can find a compartment with plenty of space.

But sometimes sleep was secondary to the adventure. Once, I shared a compartment on a train to Copenhagen with a Frenchman, a French Canadian, a Dane, and two Germans, one from Hanover, the other from Munich. We were all in our mid-20s. The Canadian spoke French and English, the Dane German and English as well as his native language. We talked through the night, learning a lot about life in each others’ country – and about the nuances of language when the Hanover German said that he could understand the Dane’s native language easier than his countryman’s Bavarian dialect.

A couple of years later, preparing to depart Munich after Octoberfest, I got to talking with a young German, obviously hung over from the beery festivities, who was headed home to Ulm, a relatively short distance away. I pointed out to him that the train on the next platform was the Ulm express and we were on a train headed to Stuttgart. He said he knew that, but he did not have a ticket and would be thrown off the train at its first stop, which was Ulm. “This way,” he said with a grin, “I do not have to pay.”

In Norway, leaving Bergen on an over-nighter for Hamberg, I shared a compartment with a young man from California. He was headed home to settle things up so he could return to Norway and his new girlfriend. I heard all about her, as he talked the entire night. She was beautiful, he told me dozens of times. So beautiful, he said, that he didn’t even care that she didn’t shave her legs. Realizing that no comment from me was needed, I finally drifted off to sleep as he kept talking. I don’t know if he ever slept or not.

On another over-nighter, in Spain this time, from Barcelona to Malaga, I found myself in a compartment with a second American, a just-married Spanish couple, and a young Moroccan. The American had a guitar and initially there was a song or two. But the newlyweds were only interested in each other and the Moroccan was only interested in impressing the two Americans.

He had learned his English, he said, from American servicemen in his home country. That explained his use of the basest profanity. He had been to Italy to buy a Vespa, which was in the baggage car: “A Vespa is important in my country – I will be big with the girls.” Finally, I escaped to the platform between cars, hanging out the window and enjoying the views of the Mediterranean coast, of the inland desert. Come night, while the Moroccan was in the dining car, we made the seats into beds and prepared for sleep. He returned to find himself assigned to the top bunk above the Spanish couple.

At some point, about 2 a.m., I was awakened as the Moroccan began yelling at the newlyweds. It seems they were whispering to each other and keeping him awake. He went for the conductor, who then guided him out into the corridor; soon his yelling became fainter as they moved down the train. The rest of us went back to sleep.

The next morning, at a small stop called Chaparral, one of the train’s engines broke down. We sat around under the area’s sole tree until a replacement could be brought in. Our Moroccan showed up while we waited, chipper toward everyone except the Spanish couple. I asked him where he had been. He looked disgustedly at the conductor a few yards away, and said that he had been forced to join his Vespa in the baggage car. And, to our relief, that’s where he rode for the rest of the trip.

But Mexico, high in the Sierra Madre Occidental, was the site of my most memorable train experience. I was traveling with photographer Skeeter Hagler from Chihuahua to Los Mochis, on the Gulf of California side of Mexico. The trip is famous with tourists as it crosses the mountains above the Barrancas del Cobre – the Copper Canyon. The canyon is — in area — larger than the north American Grand Canyon. It is also home to Tarahumara Indians, famous for their long-distance running and their peyote-centered religion.

The trip is scheduled for about 12 hours, but often takes 14 or 15. There are stops with spectacular views into the canyon, but there are also unscheduled delays. So, about midnight we had just begun our descent from the heights when there was a stop at a small village. Skeeter and I were in the last car, and I was hanging out at the very back with a drunk native. Periodically, his friend the conductor would admonish him to be quiet, to sit down, to quit causing trouble. He would look at me and laugh.

When we stopped, the conductor exited the car at the other end with his signal light. And the drunk exited at our end to relieve himself. After a couple of minutes I glanced toward the conductor and saw him waving the light that meant we were ready to continue. I alerted my “friend”. My voice got the conductor’s attention, and when he saw what was going on he started yelling at the drunk, who just laughed. As the train started slowly moving, he finished his business and started running for the train. I reached down, grabbed his arm and pulled him aboard.

“Gracias, amigo,” he said with a grin as the conductor began marching him back down the car. Looking into the canyon I could see the faraway lights of Tarahumara fires, only then realizing that if my “friend” had been stronger, I could be tumbling down the mountain toward them.

When I told Skeeter, who had been sleeping, he shook his head. “That would have made a great picture,” he said. Or, in retrospect, a great opening scene for a movie.

Restless Native

Holbert’s

 

By Chris Wohlwend

 

Holbert’s Cash Grocery was one of those neighborhood spots that were common before supermarkets and fast-food behemoths drove them out of business. You could get a bottle of milk or a loaf of bread or a can of beans without having to drive to the business district.

 

There was Nelson’s, which was only a block east of Fair Garden School, close enough to get a Grapette after the final bell, or, if you lived in Park City, Pinkston’s on Olive Street, easy walking distance from Park Junior High School. Many also served hot dogs, hamburgers, or, sometimes, fried bologna sandwiches.

 

A hot dog could be had for a dime, a bologna sandwich or hamburger for a quarter. A couple of chili dogs, a bag of chips and a cold drink – what else was needed for a meal that was long on taste if short on nutrition?

 

At Holbert’s, I would take whatever empty soft-drink bottles I could round up and turn them in for two cents each. If I had enough empties, I had the price of a cold Grapette.

 

But the bottles had to be damage-free. The man who ran Holbert’s would sometimes refuse to accept a soft-drink bottle, pointing out a small chip that he said made it worthless. Once when I was in his store, he caught a kid trying to cheat him out of a penny gumball. I don’t remember the details – it might have been a penny-sized slug. He told the perp that if he ever saw him in his store again he would call the police.

 

His attitude was understandable given his clientele. His store sat on top of the ridge that defined Burlington’s southern boundary, at the corner of Fern Street and Skyline Drive.

 

The south side of the ridge was peppered with small, run-down houses, some of which had never gotten beyond tar-paper siding. I sometimes delivered the afternoon paper on that side of the ridge, helping out one of my neighbors who had the route. Scruffy dogs could make the job chancy. Collection days often meant payment in pennies – if there was payment at all.

 

It was the neighborhood of a couple of boys I first met at Holbert’s – Foxx and Crowder. I didn’t know them from Fair Garden; they apparently had decided to forego formal schooling.

 

I never knew where Crowder called home, but Foxx lived a few doors beyond Holbert’s. And he joined us when we decided to dig a hideout into the side of a hill in the woods between our house and Holbert’s. There we could escape younger siblings and the neighborhood’s nosy old ladies.

 

A meeting at the hideout featured a lot of big talk, and Foxx would sometimes demonstrate how to smoke cigarettes. I don’t remember any of us taking up his dare on the fags, but I do remember that he confessed that his old man was in prison for selling marijuana.

 

Of course he had to explain what marijuana was. He went on to helpfully tell us how his dad would empty half of the tobacco out of a Lucky Strike and replace it with pot. He was caught, Foxx said, with an entire carton of Luckies that he had meticulously loaded.

 

Once I started high school the hideout was forgotten and I only saw Foxx occasionally. He and Crowder were boxing fans and I sometimes ran into them at Golden Gloves matches at the Jacobs Building in Chilhowee Park.

 

But the last time I heard anything about the pair was several years later, when I was living in Kentucky, working for The Louisville Times newspaper.

 

I had picked up a copy of The Knoxville Journal and discovered a story that featured Foxx and Crowder and the East Knoxville area where we had lived.

There had been a middle-of-the-night gathering in a wooded section alongside the Holston River behind the country club golf course. I knew the spot – I had camped there when I was in the Boy Scouts.

 

There was a bonfire and a lot of alcohol. Crowder had either jumped or was thrown into the river. He didn’t surface – his body was found the next day.

 

I called a Burlington acquaintance for details. “There were quite a few of them partying,” he told me. “And they’d been going since the middle of the afternoon. It was well after midnight when he went in.”

 

“I’ve heard,” he added, “that they think Foxx may have shoved him in, either just horsing around or on-purpose.”

 

Given the alcohol, the time of the night, the reputations – and rap sheets – of those present, the authorities eventually ended their investigation and Crowder’s death was ruled an accident.

 

By then, the site of Holbert’s, which had closed decades earlier, was a trash-strewn lot.

Holbert’s Grocery

Holbert’s

Holbert’s Cash Grocery was one of those neighborhood spots that were common before supermarkets and fast-food behemoths drove them out of business. You could get a bottle of milk or a loaf of bread or a can of beans without having to drive to the business district.

There was Nelson’s, which was only a block east of Fair Garden School, close enough to get a Grapette after the final bell, or, if you lived in Park City, Pinkston’s on Olive Street, easy walking distance from Park Junior High School. Many also served hot dogs, hamburgers, or, sometimes, fried bologna sandwiches.

A hot dog could be had for a dime, a bologna sandwich or hamburger for a quarter. A couple of chili dogs, a bag of chips and a cold drink – what else was needed for a meal that was long on taste if short on nutrition?

At Holbert’s, I would take whatever empty soft-drink bottles I could round up and turn them in for two cents each. If I had enough empties, I had the price of a cold Grapette.

But the bottles had to be damage-free. The man who ran Holbert’s would sometimes refuse to accept a soft-drink bottle, pointing out a small chip that he said made it worthless. Once when I was in his store, he caught a kid trying to cheat him out of a penny gumball. I don’t remember the details – it might have been a penny-sized slug. He told the perp that if he ever saw him in his store again he would call the police.

His attitude was understandable given his clientele. His store sat on top of the ridge that defined Burlington’s southern boundary, at the corner of Fern Street and Skyline Drive.

The south side of the ridge was peppered with small, run-down houses, some of which had never gotten beyond tar-paper siding. I sometimes delivered the afternoon paper on that side of the ridge, helping out one of my neighbors who had the route. Scruffy dogs could make the job chancy. Collection days often meant payment in pennies – if there was payment at all.

It was the neighborhood of a couple of boys I first met at Holbert’s – Foxx and Crowder. I didn’t know them from Fair Garden; they apparently had decided to forego formal schooling.

I never knew where Crowder called home, but Foxx lived a few doors beyond Holbert’s. And he joined us when we decided to dig a hideout into the side of a hill in the woods between our house and Holbert’s. There we could escape younger siblings and the neighborhood’s nosy old ladies.

A meeting at the hideout featured a lot of big talk, and Foxx would sometimes demonstrate how to smoke cigarettes. I don’t remember any of us taking up his dare on the fags, but I do remember that he confessed that his old man was in prison for selling marijuana.

Of course he had to explain what marijuana was. He went on to helpfully tell us how his dad would empty half of the tobacco out of a Lucky Strike and replace it with pot. He was caught, Foxx said, with an entire carton of Luckies that he had meticulously loaded.

Once I started high school the hideout was forgotten and I only saw Foxx occasionally. He and Crowder were boxing fans and I sometimes ran into them at Golden Gloves matches at the Jacobs Building in Chilhowee Park.

But the last time I heard anything about the pair was several years later, when I was living in Kentucky, working for The Louisville Times newspaper.

I had picked up a copy of The Knoxville Journal and discovered a story that featured Foxx and Crowder and the East Knoxville area where we had lived.

There had been a middle-of-the-night gathering in a wooded section alongside the Holston River behind the country club golf course. I knew the spot – I had camped there when I was in the Boy Scouts.

There was a bonfire and a lot of alcohol. Crowder had either jumped or was thrown into the river. He didn’t surface – his body was found the next day.

I called a Burlington acquaintance for details. “There were quite a few of them partying,” he told me. “And they’d been going since the middle of the afternoon. It was well after midnight when he went in.”

“I’ve heard,” he added, “that they think Foxx may have shoved him in, either just horsing around or on-purpose.”

Given the alcohol, the time of the night, the reputations – and rap sheets – of those present, the authorities eventually ended their investigation and Crowder’s death was ruled an accident.

By then, the site of Holbert’s, which had closed decades earlier, was a trash-strewn lot.

DIVERSIONS: Photographs by Chris Wohlwend

Introduction

I set up my first darkroom when I was a senior in high school, turning the primitive basement bathroom of our house into a chemical-laden den of escape from my siblings.

After I had figured out how to develop black and white negatives, a neighbor and I began making contact prints. Then, after we came into possession of an inexpensive diffusion enlarger, we started producing 8 by 10 images.

Our cameras were cheap, amateur Kodaks and, as I recall, an Ansco.

The experiments ended when my dad noticed that the metal knob on the room’s door was being destroyed by the chemical fumes.

But by then I was in college, and had begun working part-time as a copy boy at The Knoxville Journal, the morning daily newspaper. There, I became friends with the photographers and was soon hanging out in their darkroom, finally convincing a couple of them to show me their tricks.

Soon, I was borrowing the Journal’s twin-lens reflex cameras and, depending on who was present, making use of the newspaper’s darkroom, developing and printing my own pictures.

Without ever mastering the use of the cameras (or the darkroom), I did progress to the point that Knoxville’s Associated Press correspondent would engage me (as last resort) to shoot assignments. And I bought my first real camera, a used Rolleiflex twin-lens that was soon followed by a Minolta 35-millimeter single-lens reflex.

One of the AP assignments led to what I saw as a major break: photos that I shot of a bus-truck wreck north of Knoxville were published in newspapers around the country. The wreck was early on a Saturday morning and left 14 people dead. My photos were used by The New York Times, The Chicago Tribune, The Miami Herald and dozens of other publications, many displaying my images on Page One.

Though the only credit was “AP Photo,” I was convinced that I was on my way to photographic fame and glory. But my skills were in other areas, and my career in newspapers and magazines (in seven cities) has primarily been as an editor and reporter. Picture-taking has been something I did on the side. That is the reason for the title of this collection – Diversions.

Those diversions include world travel, automobile races, and an on-again, off-again project of photographing roadside memorials.

I progressed from the Minolta to a series of Leica rangefinders, though I still occasionally used the Rollei. And I played around with Polaroid products as well, including the company’s short-lived experiment with black and white transparency film in the 35-millimeter format. The Polaroid Spectra became a favorite, too.

Most of the newspapers where I worked would allow me use of their darkroom, though I had added a professional Omega D2 enlarger that I set up in apartments in Miami, Charlotte, and Louisville. I finally gave up my home facilities when I left Louisville for Dallas in 1980.

I had turned the half-bath of my apartment into a darkroom, placing my D2 on the top of the toilet and using the sink for the chemical work. When I started emptying the apartment, I discovered that in the five years I had lived there, the mineral accretions from the water in the toilet had built up a ring that could not be chipped off.

In Kansas City – my next stop after Dallas – I traded the Omega and its lenses for a used 21 mm Leica Super-Angulon, which became my lens of choice.

My interest in photography eventually led to writing about the art and its practitioners. I spent a couple of days hanging out with William Eggleston in Memphis, trying to coax coherent information about his work from him. And I was charmed for an afternoon by the remarkable Sally Mann at her home in Lexington, Virginia, for a profile that she later convinced me not to publish.

Starting in 1972, when I spent a couple of months bumming around Europe, I have spent as much time as I could traveling, camera in hand – many of the pictures included here are from those forays.

When I moved back to Knoxville in the late 1990s, I began a roadside-memorial project, taking pictures around southern Appalachia that are testament to the danger inherent in curving mountain byways.

In 2010 I made the switch to a digital camera, opting for a lightweight Panasonic Lumix (Leica lens) that, like the rangefinders I used, fits into my pocket.

This collection includes a few examples taken with the Lumix, but the majority were shot on film, most 35 millimeter.

Five of the European images, all photographed in 1972 or 1973, are included in the United Nations Archives in Geneva.

There’s no story line to the photos – they represent diversions, after all.

 

Acknowledgements

Many people contributed to this project, some simply by agreeing to let me photograph them, some by offering advice and encouragement. Others let me use newspaper darkroom facilities (sometimes with the knowledge of the folks in charge, other times in the dark of night). I would like to thank the photographers of The Knoxville Journal, The Miami  Herald, The Charlotte Observer, The Louisville Times, The Dallas Times Herald, The Kansas City Star, and The Atlanta Journal-Constitution. David Moynihan was a tremendous help in allowing access to the darkroom in Dallas. Encouragement came from art director/designers James Noel Smith, Fred Woodward and Jan Bryza.  Vince Staten and my late brother, Ben Wohlwend, offered valuable support. Jim Stovall and Rob Heller provided expertise that helped bring this project to fruition.

 

Smoky Mountains 1991

Smoky Mountains, Tennessee, 1991

London 1972

Hyde Park, London, England, 1972

Interstate 85, Georgia 1993

Interstate 85, north Georgia, 1993

Off Miami Beach 2010

Off South Beach, Miami, Florida, 2010

Paris 1973

Playground, Paris, France,  1973

Knox County, Tennessee 1997

East Knox County, Tennessee, 1997

LeMans 1979

24 Hours of Le Mans, France, 1979

Mississippi 2001

Holly Springs, Mississippi, 2001

Wyoming 2011

Grand Tetons, Wyoming, 2011

Charlottesville 1992

Charlottesville, Virginia, 1992

London 1972

Morpeth Arms, London, England, 1972

Knox County, Tennessee 2010

South Knox County, Tennessee, 2010

North Atlantic 2010

Off the Isle of Wight, England, 2010

Rome 1983

The Forum, Rome, Italy, 1983

Daytona 1970

Daytona Continental, Florida, 1972

South Miami. Florida, 1973

Quebec 1976

Quebec city, Canada, 1976

Paris 1972

Champs Elysees, Paris, France, 1972

Australia 1981

Uluru (Ayers Rock), Australia, 1981

Alabama 1991

Athens, Alabama 1991

Watkins Glen, NY 1972

U.S. Grand Prix, Watkins Glen, New Y0rk, 1972

Interstate 40 1998

East Knox County, Tennessee, 1998

Munich 1972

Munich, Germany, 1972

Chile 1981

Ralun, southern Chile, 1981

Innsbruck 1972

Innsbruck, Austria, 1972

Moscow 1977

Moscow River, Soviet Union, 1977

El Paso 1992

Downtown El Paso, Texas, 1992

Rome 1983

The Forum, Rome, Italy,  1983

Grainger County, Tennessee 1998

South Grainger County, Tennessee, 1998

Leningrad 1977

Leningrad, Soviet Union, 1977

Munich 1972

Munich, Germany, 1972

Southampton 2010

Southampton, England, 2010

Atlanta 1992

DeKalb County, Georgia, 1992

newdale

South Miami, Florida, 1974

milano14

Calazzo, Milan, Italy, 2010

Key West 1973

Key West, Florida, 1973

Memphis 2001

Memphis, Tennessee, 2001

newmatthews

Matthews, North Carolina, 1974

Arizona 1992

Tombstone, Arizona, 1992

Bergen 1972

Bergen, Norway, 1972

cisco-georgia-1998

Cisco, north Georgia, 1998

Athens, Alabama 1991

Athens, Alabama, 1991

newgijs

Daytona Continental, Florida, 1972

El Paso 1991

Downtown El Paso, Texas, 1992

Tajikistan 1977

Pendzhikent, Tajikistan, Soviet Union, 1977

London 1972

London, England, 1972

New Orleans 1991

New Orleans, Louisiana, 1991

Memphis 1993

Memphis, Tennessee, 1993

Paris 1976

Paris, France, 1976

El Paso 1992

Downtown El Paso, Texas, 1992

Montparnasse, Paris 1972

Montparnasse, Paris, France,  1972

Smoky Mountains 1992

Smoky Mountains, North Carolina, 1992

Le Mans 1979

24 Hours of Le Mans, France, 1979

Wyoming 2012

Northwest Wyoming, 2011

New Orleans 1992

New Orleans, Louisiana, 1992

Riding the rails

 

I know Brig, Switzerland only through a train window, only at night. Three times I have stopped there, entering and leaving Italy through the Semplon Pass, the route across the Alps developed by Napoleon. There my passport was checked, twice to make sure that I was fit for the ordered world of Switzerland, once to be welcomed to the relative chaos of Italy. All three times I was asleep upon arrival, waking because of the still silence. The window view was of serenity: empty platform, blue-cool glow from the station’s lights, dark silhouettes of the mountains looming beyond.

The Semplon Pass, the middle-of-the-night setting, the eerie silence – all mindful of a scene from a classic ‘40s film, perhaps a romantic comedy. My first Brig stop, in the late 1970s, would have worked well in such a film. It involved a girl I had met on the platform at Florence, where we both were waiting for the same north-bound train, she headed home to Basel while I was en route to Paris. Her name was Nelli and she had spent a couple of months in the United States and was eager to practice her English. I was simply eager.

My last stop in Brig was in 2010 when I was on my way from Milan to Paris, then, via the Chunnel, on to England for a Queen Mary voyage back to the U.S. It, too, featured a movie scene, but it was more film noir than romance. There was no Nelli, just a blood-curdling female scream in the middle of the night. When I had boarded around 11:30 p.m. I found I was sharing a sleeper compartment with an Italian businessman who was a regular between Padua and Paris. He warned me that there was a lot of theft on the train, and since I was in the lower berth, I should make sure the door was locked.

After our half-hour stop in Brig, I was soon asleep again. Then, about an hour into the Swiss Alps, I was awakened by the scream, followed, in English, by a female voice yelling “Stop, thief. You, get out.” We could hear commotion in the corridor. Opting for caution, my compartment mate and I decided against opening the door to find out what was going on.

After a few minutes, and some animated chatter (in Italian) from the intruder and the conductor, it was determined that the woman had failed to lock her door, and another traveler, sleepily making his way back to his bed from the restroom, had mistakenly entered her compartment. Film noir comedy, perhaps.

I began my train traveling in earnest in 1972, in Europe. There were memorable rail episodes in Germany, in Norway and France and Spain. And, years later, in Australia and Mexico and the United States. There were friendly, fascinating travel companions. Spectacular scenery, high Alps to Australian Outback desert and Mexico’s Barrancas del Cobre. Unexpected adventures, including witnessing a fistfight at a station in the Peloponnese and watching a troublemaker handcuffed on an Amtrak train in South Carolina. And I learned on three trips in Italy that dealing with rail lines in that country is always an adventure.

Since that 1972 journey, rail has been my favored way of getting from Point A to Point B, for many of the same reasons it has been favored by movie-makers: Diverse groups can be thrown together in a confined space; border crossings present opportunities for drama; interest builds easily as protagonists move farther and farther away from the familiar.

Too, there are more mundane advantages: relaxation as someone else takes care of propelling you; the discovery of exotic cultures and locales; the sleep-inducing rhythm of the rails. And there is the excitement of heading into the unknown, a pleasure that can be made better at night when everything is in the abstract, lit only partially, mysterious shadows hiding pleasure and/or danger.

Early in my first foray to Europe, I discovered that I could sleep on overnight trains, saving the cost of a room. At that time most European trains featured compartments with bench seats that had room for three – if you were the only occupant there was plenty of space to stretch out and sleep. So it’s 11 p.m. and you’re in Hamburg and there’s a train leaving for Vienna, due to arrive at 8 a.m.? Perfect, if you can find a compartment with plenty of space.

But sometimes sleep was secondary to the adventure. Once, I shared a compartment on a train to Copenhagen with a Frenchman, a French Canadian, a Dane, and two Germans, one from Hanover, the other from Munich. We were all in our mid-20s. The Canadian spoke French and English, the Dane German and English as well as his native language. We talked through the night, learning a lot about life in each others’ country – and about the nuances of language when the Hanover German said that he could understand the Dane’s native language easier than his countryman’s Bavarian dialect.

A couple of years later, preparing to depart Munich after Octoberfest, I got to talking with a young German, obviously hung over from the beery festivities, who was headed home to Ulm, a relatively short distance away. I pointed out to him that the train on the next platform was the Ulm express and we were on a train headed to Stuttgart. He said he knew that, but he did not have a ticket and would be thrown off the train at its first stop, which was Ulm. “This way,” he said with a grin, “I do not have to pay.”

In Norway, leaving Bergen on an over-nighter for Hamberg, I shared a compartment with a young man from California. He was headed home to settle things up so he could return to Norway and his new girlfriend. I heard all about her, as he talked the entire night. She was beautiful, he told me dozens of times. So beautiful, he said, that he didn’t even care that she didn’t shave her legs. Realizing that no comment from me was needed, I finally drifted off to sleep as he kept talking. I don’t know if he ever slept or not.

On another over-nighter, in Spain this time, from Barcelona to Malaga, I found myself in a compartment with a second American, a just-married Spanish couple, and a young Moroccan. The American had a guitar and initially there was a song or two. But the newlyweds were only interested in each other and the Moroccan was only interested in impressing the two Americans.

He had learned his English, he said, from American servicemen in his home country. That explained his use of the basest profanity. He had been to Italy to buy a Vespa, which was in the baggage car: “A Vespa is important in my country – I will be big with the girls.” Finally, I escaped to the platform between cars, hanging out the window and enjoying the views of the Mediterranean coast, of the inland desert. Come night, while the Moroccan was in the dining car, we made the seats into beds and prepared for sleep. He returned to find himself assigned to the top bunk above the Spanish couple.

At some point, about 2 a.m., I was awakened as the Moroccan began yelling at the newlyweds. It seems they were whispering to each other and keeping him awake. He went for the conductor, who then guided him out into the corridor; soon his yelling became fainter as they moved down the train. The rest of us went back to sleep.

The next morning, at a small stop called Chaparral, one of the train’s engines broke down. We sat around under a tree until a replacement could be brought in. Our Moroccan showed up while we waited, chipper toward everyone except the Spanish couple. I asked him where he had been. He looked disgustedly at the conductor a few yards away, and said that he had been forced to join his Vespa in the baggage car. And, to our relief, that’s where he rode for the rest of the trip.

But Mexico, high in the Sierra Madre Occidental, was the site of my most memorable train experience. I was traveling with photographer Skeeter Hagler from Chihuahua to Los Mochis, on the Gulf of California side of Mexico. The trip is famous with tourists as it crosses the mountains above the Barrancas del Cobre – the Copper Canyon. The canyon is in area larger than the north American Grand Canyon. It is also home to Tarahumara Indians, famous for their long-distance running and their peyote-centered religion.

The trip is scheduled for about 12 hours, but often takes 14 or 15. There are stops with spectacular views into the canyon, but there are also unscheduled delays. So, about midnight we had just begun our descent from the heights when there was a stop at a small village. Skeeter and I were in the last car, and I was hanging out at the very back with a drunk native. Periodically, his friend the conductor would admonish him to be quiet, to sit down, to quit causing trouble. He would look at me and laugh.

When we stopped, the conductor exited the car at the other end with his signal light. And the drunk exited at our end to relieve himself. After a couple of minutes I glanced toward the conductor and saw him waving the light that meant we were ready to continue. I alerted my “friend”. My voice got the conductor’s attention, and when he saw what was going on he started yelling at the drunk, who just laughed. As the train started slowly moving, he finished his business and started running for the train. I reached down, grabbed his arm and pulled him aboard.

“Gracias, amigo,” he said with a grin as the conductor began marching him back down the car. Looking into the canyon I could see the faraway lights of Tarahumara fires, only then realizing that if my “friend” had been stronger, I could be tumbling down the mountain toward them.

When I told Skeeter, who had been sleeping, he shook his head. “That would have made a great picture,” he said. Or, in retrospect, a great opening scene for a movie.